Tag Archives: indiemusic

MUSIC Interviews : Alex & Ernie From Bison Face.

  1. Would you guys please introduce yourselves and explain your role in the band?

Ernie: I’m Ernie, I sing, play guitar and am the main songwriter.
Alex: I play lead guitar.

  1. Where did you guys meet and how did you form this band?

Alex: Ernie and I met back in school where we formed our first band. Me and Jonny used to be neighbours and knew each other from the local scene. Arthur, we met down at our local after he overheard we needed a bassist.

Ernie: Bison Face started as just an outlet for all these demos I’d been writing g, but once Al moved back up from Brighton and jumped on board it became an actual thing. Played a few shows last year and recorded a single and a 5 track. The process has been slow but we’ve finally got an actual band together as of like, March?

  1. What kind of music do you make or would like to make in the future?

Ernie: It doesn’t really sit in one category, it’s mainly 90s esque grungey guitar driven alternative rock with smatterings of desert, shoegaze, noise, and some cinematic textures.

Alex: We make a mix of grunge and desert rock with elements of shoegaze and ambient.

  1. What do you enjoy the most about the process of making music together?

Alex: The ability to express our individual flare and to see the synergy of this come about is what making music is all about.

Ernie: There is a moment when you learn a new song and everything clicks in a practice room, you feel like you’re riding this wave. When you nail a track you’ve written as a band it is the best.

  1. What are some of your favourite themes to explore through your music?

Ernie: I write about a lot of different things. Mental health, daily life struggles, love, loss, all that. Some dystopian themes creep in, I’m fascinated with space. Recently some of the injustice in America has crept up; I usually write about what’s affecting me in that moment.

  1. Who are some artists that you love or who you’d say has had a huge influence on your work?

Alex: For me the biggest influences are Queens of the Stone Age, Pixies, Jeff Buckley, Led Zeppelin and Radiohead. We all have different musical backgrounds with a lot of overlap.

Ernie: My main musical influences would be Pixies, Nirvana, Radiohead, Soundgarden, MBV and Sonic Youth. Growing up I’d say Nirvana, Led Zep and Blur had the biggest influence on me. At the moment I’m loving the new Retirement Party record ‘Runaway Dog’.

  1. Where can someone looking for your music, find it?

Ernie: Our debut single Ladybird is available on all your friendly neighbourhood streaming platforms, and the video our friend Tom Sharp made for us is up on YouTube.

  1. What’s your favourite part about touring/ doing live performances?

Alex: It’s the opportunity to improvise and experiment with the songs in a live context, as well as being able to perform songs to a new audience and get our music involved in a new scene.

Ernie: Playing shows is the payoff for slaving away writing and rehearsing. You put all this hard work in, then playing a killer show and feeling that electricity is the cathartic release at the end.

  1. What kind of message would you like to give your fans, through your music?

Ernie: I try not to be too head on with any particular issues, but if there is any message it would be to look after yourselves and look after each other. Life is great and life is shit in almost equal measure. Let’s have a good time.

  1. Where do you guys see yourselves in the future, or what are your future plans for the band?

Alex: For now, we are focussed on releasing our first EP and then to get touring hopefully as soon as possible. After that it would be great to work towards recording a full-length LP and then play some larger tours maybe outside the UK and get some festivals down. We’ll have to see how the music scene changes post Covid.

Ernie: Yeah, I’ve spent the whole of lockdown just writing and demoing new material, so we’ve got a deluge of stuff to sift through when we’re allowed to jam again. But once the EP is finished I just want to play everywhere and anywhere. I miss playing live with the guys more than anything.

Music Interviews: Vanilla Sugar ON Exploring Personal Experiences Through Her Music & More.

1. Would you please introduce yourself and tell the readers what you do ?

Hi! I am Vanilla Sugar – I play guitar / synths, and sing!

2. How did you start with music?

I started this on a midi keyboard and an iMac.

3. What kind of music do you make or would like to make in the future?

I create very synth heavy music, with a hint of pop and metal.

4. What do you enjoy the most about the process of making music?

I really enjoy vibing off the music once we create something that really jams. My favorite part is listening to it super loud in the car while driving home from the studio.

5. What are some of your favourite themes to explore through your music?

I like to talk about personal experiences a lot. I used to keep that to myself, but found that it helps me mentally to be able to be open about the darker part of me.

6. Who are some artists that you love or who you’d say has had a huge influence on your work?

I am a very big fan of Grimes and Mindless Self Indulgence.

7. Where can someone looking for your music, find it?

My new album is available on any of your favourite music retailers. I personally love listening to it on Spotify or Apple Music.

8. What’s your favourite part about touring/ doing live performances?

I love being able to see new parts of the world via music. I also really love being able to perform every night. It’s a truly freeing experience.

9. What kind of message would you like to give your fans, through your music?

You are never alone. There is always someone who feels the same way you do; it never hurts to reach out.

10. Where do you see yourself in the future, or what are you future plans for your career? 

I am going to be touring this September – December in the US and the UK. I hope to see you at a show!

Album Review: Fetch the Bolt Cutters – Fiona Apple’s fifth record is bonkers and deliriously beautiful.


Rating – “It’s great” / worth adding to your collection.

According to recent “New Yorker” article, “Fetch the Bolt Cutters” is a reference to a scene in “The Fall,” the British police procedural starring Gillian Anderson as a sex-crimes investigator; Anderson’s character calls out the phrase after finding a locked door to a room where a girl has been tortured. This theme of crimes against women, men in power and femininity appears throughout the whole album. Like all of Apple’s projects, this one was taking a long while to emerge, arriving through a slow-drip process of creative self-interrogation that has produced, over a quarter century, a narrow but deep songbook. But that time surely helped Fiona in the direction of the album, since in between all those years she kept quiet, big movements like The #Metoo Movement has shaped the entertainment industry.

Fiona Apple has been in the business for 25 years now, but this is only her fifth full length album. And while she has always worked under a male producer in her early career, this is her first album that she has produced herself and she has made to let it all loose. Musically, this is easily the craziest and most bonkers production on an album I have heard this year. And unless you can find another song from this year that features a dog’s bones as percussion, I’ll have to say that my claim is right. It has some of the most innovative sonic directions on a recent EP, even considering Fiona’s standards. For example the title track – Fetch the Bolt Cutters – features a dog’s barking noise as bass and Fiona’s orgasmic noises in the outro, Also on the opening track – I Want You to Love Me – the singer hiccups in ecstasy, facing off against an arpeggiating piano as though competing to climax first. And the piano in here is a masterpiece in itself, but that’s obvious, given Fiona’s reputation as pianist.

Lyrically too, Fiona is taking a lot of shots in this album. Just like the Strokes album from last week (another artist making a comeback this year), there’s a lot of looking back in this albums. Fiona looks back at her childhood in New York, growing up as a musical prodigy and getting fame at an early age of 17 in the uneasy times of 90’s. Men in power who who use women for their benefits and sexual predators are definitely are the first target of Fiona. And even though the music behind the song is overblown, Fiona doesn’t compensate on the lyrics, the songs here are very wordy, even more than they’ve ever been. What set’s the lyrics in this project apart, is that even though it’s dealing with such heavy subjects – they are funny as hell. But that’s not all in here, Fiona talks about past relationships, bad boyfriends, her younger self and even takes shots at high society culture. In fact major her own mind and trying to figure herself out by glancing at the past is one of the major themes. “I would beg to disagree, but begging disagrees with me,” she swaggers on Under the Table, a wickedly funny song about how she is a nightmare date at pompous dinner parties. (“Kick me under the table all you want.”)

Fav Tracks – I Want You to Love Me/ Shameika/ Fetch the Bolt Cutters/ Under The Table/ Newspaper/ Ladies/ Drumset/ On I go/ Cosmonauts/ Rack of life/

Least Fav Track – Heavy Baloon

In conclusion, all I want to say is this it is a really good album that doesn’t fear to take any risks and even if you are not into R&B or indie music, you should definitely give this album a listen. I mean it’s not like you have much else to do right now. Trust me, give it a try and maybe you will be able to appreciate all it’s weirdness too.

And meanwhile, do let me know what you thought about the album in the comments!