Tag Archives: Robert Pattinson

What Michael Keaton Returning As Batman Means For The Future Of DC Movies.

Michael Keaton is possibly reprising his iconic role as the caped crusader from Tim Burton’s Batman movies, in the upcoming Flash movie starring Ezra Miller according to several reports. Earlier reports stated that Jeffrey Dean Morgan is being eyed to return to his role of Thomas Wayne as Flashpoint Batman in the Flash movie, but it seems like they are not doing that right now. It is said WB will adapt the Flashpoint storyline to some extent and Keaton’s Batman will be part of the Burton-verse where Flash land up. But whatever the case, one thing is for sure – Multiverse is the future of DC, and in my opinion, that’s the best way to go about it. Here’s me telling you why.

The Flash is a very Multiverse Friendly character

The inclusion of Flash leads itself to the possibility to tell stories involving the multiverse. The Flash comics delve deep into the ideas of dimension hopping and alternate realities. Flashpoint, the comic storyline this Flash movie is said to be based on, is particularly a story where The Flash runs back in time to save his mother from dying but in doing creates a dystopian alternate reality. If you watch the CW Flash series you should be familiar with the idea of Flashpoint. And not just Grant Gustin, Ezra Miller’s Flash has already traveled to alternate dimensions in two occasion. Once in that brief bat-cave scene in BvS, and second in CW’s Crisis of Infite Earth event, where two versions of Flash famously crossed paths. And WB specially requested CW to put that cameo in, so they may have some bigger multiverse plans for Flash in the future.

All versions of Batman can be canon

Michael Keaton will return as Batman, taking up his role from the Burton films 30 years on. It would mean the Burton films are officially canon in the current DC Movies and as sources as reporting WB are trying to make Keaton’s old Bruce Wayne into a Nick Fury type of mentor figure in multiple upcoming DC projects. So we can have multiple actors playing different version of the same character at the same time. It would mean everything is canon, and all Ben Affleck, Robert Pattinson and Michael are Batman.

The Snyder-verse can still continue in some capacity

DC has been trying to reboot their movie universe and step away from Zack Snyder’s version of the Justice League, but with the release of Snyder Cut on HBO Max makes things seem a little muddled right now. With the introduction multiverse, Snyder’s version of the characters can continue in some capacity in future DC Movies and TV shows.

Wonder Woman 1984 and Aquaman both retcon events of Synder-verse.

Both Wonder Woman 1984 and Aquaman, deacon the events of the Snyderverse completely and start fresh with their characters. This is very confusing considering it the same actor playing the same characters, but the multiverse will be a really convenient way to explain the changes.

DC can continue their success with standalone movies

After a rocky start and a couple false beginnings DC has finally found their footing in the movie market alongside Marvel. The success Wonder Woman, Aquaman, Shazam, and Joker shows that strong standalone films are what’s really working for DC. Their upcoming slate is filled all standalone movies with no sight of a Justice League movie in a near future. The multiverse with allow the writers and directors to take artistic liberties by focusing on their own corner of the DC universe.

The Batman and Joker are in their own separate universe.

Matt Reeves’ upcoming The Batman staring Robert Pattinson is currently under production and it is said to be it’s own thing, much like the Joker movie from last year. This allows filmmaker’s to tell more dark high brow stories with this iconic characters as they don’t have to worry about connecting the films together. But existence of multiverse will open the door to characters from The Batman, Joker or any other DC black label movie potentially crossing over with the DCEU films in future.

The Future of DC movies

In short, the possibilities for DC movies in the future are endless right now. So it seems like multiverse is surely the way to go for DC in future. We can have have fun and bright kids movies, Big budget blockbusters, Dark Fantasies, high brow dramas and more at same time coming out of DC. It also separates them from their competition Marvel and gives them the edge over the company. It could also lead to more crossovers between DC TV shows and movies, and make the multiverse even rich with characters. And who knows, maybe five years from now, flash could run through a bunch of alternate dimensions and we could have a big Justice League movie with all the different versions of the DC characters coming together. All I can say right now is –

“Exciting times in the world right now, my friend. Exciting times.”

The Lighthouse – How to build and release tension in a single scene?

Anatomy of a Scene – The Lighthouse

The Lighthouse is one of my favorite films from last year, if not my favorite. So, today I wanna look at a scene from The Lighthouse that in my opinion, is the perfect example of how to build and release tension in a single scene without any dialogue.

The particular scene that I’m talking about, happens around twelve minutes into the film where Robert Pattinson’s character is taking a smoke break after completing his chores at the lighthouse. Prior to this scene the movie sets up the two lighthouse keepers who have come to stay in this hostile environment completely isolated. Just in the scene before, we see Robert Pattinson and Willem Dafoe argue over dinner, on who should be doing the light duty as Pattinson thinks he’s ready for it. Now it might look like a very petty issue, but it creates one of the fundamental conflicts in the story. Dafoe completely rejects Pattinson’s proposition and in turn says, “The light is mine!” But this only increases Pattinson’s curiosity about the light, as now it has been told that it is forbidden to him. He imagines his master to derive some kind of divine pleasure, which he doesn’t want to share with his assistant. After all, Dafoe clearly says, “There’s enchantment in the light.” However futile this sounds to you, this scene actually lays foundation for the Prometheus allegory that runs as one of the main themes of the story. And that is the beauty of The Lighthouse, Robert Eggers takes these really simple scenes where nothing really happens on the surface, but he adds so much meaning to them through subtext,

Robert Pattinson staring at the Lighthouse with his lustful eyes.

The scene begins as we find Robert Pattinson smoking on the rock, staring up at the lighthouse with desire filled eyes. If you didn’t catch it earlier, the light here represents Zeus’s fire and Pattinson’s desire for it is deliberately showcased because it becomes one his character’s biggest motives later on in the film. But as a viewer watching the movie for the first time, you are not aware of what the light means, so you’re left wondering of its meaning and there’s an immediate tension and mystery attached to Pattinson’s actions.

The first shot is a tracking shot from behind, as the camera follows Robert Pattinson walking towards the mysterious pitch black sea, lit faintly by the moonlight. In the sea, we see a few wooden logs floating away like an illusion and it immediately grabs our attention. DOP Jarin Blaschke deserves special praise here, his cinematography makes even the most mundane visuals haunting, while being so pretty at the same time. And like us, the sight sucks in Pattinson too, as he in drawn towards it. He gets into the water and starts pacing towards the logs with his lustful eyes right on it, as the camera cuts between the enchanting waters and Robert Pattinson’s bewildered face which only increases the tension. We want to know what’s in the and we want to know what’s attracting Pattinson, so we have ourselves more unanswered questions.

Robert Pattinson in The Lighthouse.

But that’s not where it stops, as Eggers adds even more tension to the scene by placing a person in between the logs which is eventually revealed as the logs move away, and upon inspection anybody can tell that he dead. Suddenly you have a whole new set of unanswered questions – Who is person? How did he get here? What caused his death? And as the camera cuts back to Robert Pattinson, you see all the same uncertainty and tension in his face. And my God, does Pattinson act in this scene! This is by far some of the best acting by him, and he sells everything in movie that on paper might seem really crazy. And as for the last piece to building tension – Pattinson walks straight into his death. He starts to drown in the ocean and now, not only are you uncertain of what is happening or what Pattinson is doing, now you’re also uncertain of whether he’ll survive.

A scene from The Lighthouse where a dead body is found in the ocean by Robert Pattinson.

So now that all the tension is built, how does Robert Eggers decide to release it? There are mainly two ways to do this, either provide the audience with some kind of answer or jump cut to a more peaceful scene so that the audience is left wondering what the fuck happened. Eggers decides to do both, but only partially. He gives us an answer but it only complicates the plot even more, he slows us a mermaid. It is important to note here that, this is first supernatural occurrence in the story, and it remains to be the only one for a longtime. So as the story develops you’re always reminded of the mermaid and her chilling cries underwater, so the tension remains intact throughout. Even though, Robert Pattinson’s character never talks about it later, you can tell that it’s bothering him since it was earlier revealed that the last keeper died after talking of the mer-folk.

The mermaid in The Lighthouse

So what does the mermaid represent in The Lighthouse? For that we’ll need to what’s the role of mermaids in mythology. While some western cultures do represent the mermaid as friendly beings, most mythical stories portray them as vicious creatures. In popular stories mermaids are found to lure seamen out of their ships into the and seduce them to death. And while being seduced to death doesn’t sound so unpleasant, it is really one of the worst ways to die as they feed off your soul for years.So, again what does the mermaid represent in The Lighthouse? It represents desire – the very thing that leads Pattinson’s character to his doom.

Valeriia Karaman as the beautiful mermaid in The Lighthouse

The mermaid comes back in several scenes throughout the movie as a recurring theme. And because of this first scene, we’re always scared that something bad might happen to Robert Pattinson like the previous lighthouse keeper, whenever she appears. So not only does she act as a motif throughout the film, she also becomes a source of suspense and tension. With each appearance of the mermaid, Pattinson’s desire only increases and it comes out of in the last act of movie – first as a rage-filled masturbation scene where he imagines having sex with the mermaid, and second as a vengeful act against his master.

Robert Pattinson having sex with a mermaid in The Lighthouse (2019).

Now, some people think that all the scenes with the mermaid are actually dream sequences, but in my opinion that doesn’t matter. You can think whatever you want to think that happened, it’s the symbolism behind the scene that matters. It is the story of Prometheus trying to steal what the gods denied him as an act of revolt, and in turn being punished for it for eternity. But what Eggers cleverly does in his take of the story is he doesn’t choose a hero, instead he paints both sides in dark nuanced tones, and what happens in result, turns The Lighthouse into an age old story of men going too far to fulfill their desires.